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viage digital art theatre systems uk official site

Zorc7390 April 19, 2023 Comment

It is finally happening! Next week the brand new immersive experience TOKYO ART CITY opens at Digital Art Theatre. From December 1st, you will discover the fascinating Japanese culture in a unique way.

From January 28, 2022, Grand Casino Brussels can welcome you again. We will tackle the winter dip together with our well-known range of entertainment.

While Santa Claus and his elves are working at full capacity to make the approaching end of the year a party for everyone, we are turning Grand Casino Brussels into Wonderland. A visit to our casino is always a treat, but during the holiday season it’s always extra special.

Banjo Gives Journalists Free Access To Its Social Media Discovery Platform

Friday 15 October is finally the day: Grand Casino Brussels is starting a spectacular autumn full of activities. Now that the Covid Safe Ticket is a fact, social life in Brussels is reviving. At we go all-in!

Fall has officially arrived. The leaves are falling from the trees. We are happy to shout out that at the right numbers on the roulette and the jackpots can once more fall too! From Monday October 4th, we are open until 4 am!

Well rested after a night with an extra hour of sleep, we will open our doors for the last time tomorrow, until we meet again on November 19th 2020.

A Tale Of Three Thirsty Cities

Grand Casino Brussels has just received the Brussels Health Safety Label 2021. This label aims to allow visitors to use the tourist infrastructure in Brussels with peace of mind.

Do you want an optimal website? We use cookies to improve your website experience. This way we collect useful information so that we can increase the ease of use and offer you relevant content! If you continue browsing this website, a number of non-functional cookies will be placed; the cookie banner will remain visible until you agree.Yes I want to!Cookie statementOn the sixth floor of the entertainment temple, there is a unique space: an event hall. This special location, in the heart of Brussels, has hosted many national and international artists in the past. The doors will open once more on March 18. In collaboration with promoter MB Presents, the Digital Art Theater comes to life with the first immersive experience being a visit to the world of renowned Mexican artist Frida Kahlo: 'Viva Frida Kahlo Immersive Experience'.

Her life, and especially her work and her passion, are at the heart of a unique 360° experience. The project was created with the approval of the Diego Rivera and Frida Kahlo Museums Trust with the support of the Mexican Embassy and the City of Brussels.

Emily Whalen, Author At Not Even Past

While looking for a location for their latest immersive production, MB Presents came across the beautiful hall with a capacity of one thousand people. Previously, national and international artists performed here such as Prince, Kool & The Gang, The Gibson Brothers, George Benson, Paul Anka, Level 42, Clouseau, … The space turned out to be perfect. The connection with the rest of the versatile complex, the first in a new generation of such entertainment centers for owner Casino Austria International (CAI) since April 2010, adds an extra touch to the expo. Spread over an area of approximately 14, 000 square meters, has a very diverse leisure offer with bars, a restaurant, the largest game offer in Belgium with more than 500 slot machines, live gaming tables and a large poker room, where the World Poker Tournament takes place every year.

To immerse yourself in the life of the headstrong artist, which was also the subject of the biographical drama 'Frida' starring Salma Hayek in 2002, this environment is the perfect setting. The movie shows, among other things, a scene of the meeting between Kahlo and the Parisian nightclub sensation Josephine Baker, which could have perfectly taken place at . El Patio, a cabaret and entertainment center in Mexico City, also has a link with Frida Kahlo. From 1938 to 1994, the exclusive club was the place to be where celebrities, including Kahlo, performed and were 'seen'.

The theater was thoroughly renovated and adapted for the realization of Digital Art Theatre. The combination of as an entertainment temple in the heart of Brussels and MB Presents' expertise in immersive exhibitions offers great potential. Promoter MB Presents, known for blockbuster productions such as Harry Potter – The Exhibition, the expo Steve McCurry, Lanterna Magica, Cirque du Soleil, Van Gogh The Immersive Experience, discovered the versatility of earlier during their production 'The Great Gatsby', a unique immersive theater production in Theater.

Pdf) An 'unbecoming' Cohabitation? Reconsidering The Narrative Of The Cathedral Mosque Of Córdoba, Idea Journal 'unbecoming' 2013, 114

The renewed collaboration between the two entertainment specialists takes the public on a comprehensive overview of the tragic life of this incomparable painter, feminist activist and non-conformist bon vivant who was a true icon in her time. At the center of this fascinating exhibition are the artist's paintings, with their accessible symbolism, colorful exotic plants, animals and powerful self-portraits, drawn with the physical and mental pain of a life full of obstacles.

Panoramic projections invite the visitor to immerse themselves in the world of Frida Kahlo (1907-1954), guided by an audio narration that tells her incredible story in a personal way. The themes of the paintings are intertwined with her own, predominantly poignant, life story. Her intimate self-portraits, in which she explores her own identity and experiences, are famous. Kahlo produced more than fifty-five such portraits.

The exhibition is also an opportunity to view – literally from within – her works, which are still very difficult to see ‘live’. Today 'Le Cadre' is the only painting by the artist that can be seen in France, exhibited at the Center Georges-Pompidou. Brussels is the second European city to host this monumental digital exhibition, which requires around a hundred video projectors and a spatial sound system to bring to life the panoramic moving panels, which extend from floor to ceiling over an area of more than 900 m². to take.

Visualizing The Middle Ages) Therese Martin

Pdf) An 'unbecoming' Cohabitation? Reconsidering The Narrative Of The Cathedral Mosque Of Córdoba, Idea Journal 'unbecoming' 2013, 114

Visualizing The Middle Ages) Therese Martin

digital art zürich events center nyc 2021

Zorc7390 April 19, 2023 Comment

New York City has more art galleries than any other city on the planet. It is also home to 43 dedicated art museums, many of which have world-class collections. So why does it need another art-centric venue?

And yet . . . French import Hall des Lumières, which opened on September 14 in Manhattan's Financial District, brings a deeply satisfying experience to the mix.

The new hall houses sound-and-light shows created by IMG and Culture Spaces, the outfits behind a Vincent Van Gogh digital extravaganza first presented in Paris (it's the one that was featured in the Netflix comedy

David Salle Exhibition

). The NYC venue will be a permanent space for these types of entertainments, the largest such venue in North America, with shows that will change every 8 to 10 months.

First off, the hall is set in a place of real majesty: the landmarked Emigrant Industrial Savings Bank (1908), on the ground floor of one of the city's first Beaux Arts skyscrapers. It has cathedral-height ceilings and redwood-width columns upon which the curators project images 30 feet tall. After a two-year renovation process, the tech staff spent another entire year mapping every inch of the space to better customize digital projections—and the results are truly dazzling.

Most of the viewing is done from the bank's marble floor, but there's more to explore. At the back of the hall, there's a viewing platform where visitors can see shows from a different angle. In the basement, there are two more digital galleries. One of them is in the former bank vault, now a fully mirrored space reminiscent of artist Yayoi Kusama's famed Infinity Rooms.

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That's a savvy choice of subject matter, as the artist's mix of sinuous patterns and more classically representative portraiture works well with a slow reveal.

As (often) golden lines snake up walls, down columns, and across ceilings, the music of Klimt's period swells, and the painter's jewel tones and erotic images burst into view with rapturous impact.

Much to my surprise, I found myself tearing up a few times in the course of the show. I hadn't expected to like it, but I did—very much—and felt like I do after a good work out: relaxed and rejuvenated at the same time.

Coming To Fifth Avenue, A Swarovski Flagship

Tickets for seeing the show are timed and offered every half hour. I would suggest going on the hour, rather than on the half hour, because that way you'll see the show in order. The program starts with a look at the art of the period just before Klimt's time, which is a helpful prologue that sets up just how innovative the artist was.

The Klimt section is followed by short piece about Friedensreich Hundertwasser, an Austrian painter inspired by Klimt (his work is pictured above).

Two other video exhibits round out the hour, but they are unrelated to Klimt. They're far more contemporary, showing dance and a science fiction-ish semi-abstract story. To my mind, the Klimt section is the most compelling, but what follows is pleasant.

Art Installations, Exhibits & Online Viewing In Nyc To Add To Your List In August, 2020

If you arrive in the middle of a showing, you can stay to see the next viewing. In fact, you could stay all day—though food or drink are not served (perhaps to discourage lingerers).

Frommer's, and carefully selected third parties, use cookies on this site to improve performance, for analytics and for advertising. By browsing this site, you consent to the placement of these cookies. For more information see our Cookie Policy.The 2022 Armory Show at Javits Center will take place from September 9-11, with a VIP Preview on September 8th. The Show will present over 240 leading international galleries from more than 30 countries.

Will present at the fair rarely seen selections from its expansive archive in celebration of the vital contributions of its artists over time, as part of the longstanding Cultural Partners Program.

Interior Architecture Mfa At Corcoran School Of The Arts And Design

…..and don’t miss the five Armory Off-Site locations at the US Open, Bella Abzug Park, Flatiron Plaza, Ruth Wittenberg Triangle, and Times Square.

The Armory Show is pleased to announce the exhibitors for its 2022 edition, featuring over 240 leading international galleries from more than 30 countries. Following the success of the 2021 edition, the fair will once again feature a floorplan by Frederick Fisher and Partners, and will take place at the Javits Center from September 9-11, 2022, with a VIP preview day on September 8.

Our debut at the Javits Center ushered in a new era for The Armory Show. Our commitment to showcasing leading contemporary and modern galleries and their artists was elevated by a sophisticated venue designed as a platform for extraordinary gatherings. This September, after nearly three decades, the fair continues to support excellence in the visual arts by kicking off New York’s fall art season. We look forward to burnishing our reputation as a cornerstone of New York’s cultural landscape

Art Installations, Exhibits & Events In Nyc To Add To Your List In May, 2021

Returning exhibitors to The Armory Show include 303 Gallery (New York), Ben Brown Fine Arts (London, Hong Kong), Massimo De Carlo (Milan, London, Paris), Galerie EIGEN + ART (Berlin, Leipzig), Kasmin (New York), Sean Kelly (New York, Los Angeles), Galerie Krinzinger (Vienna), Simon Lee Gallery (London, Hong Kong), Victoria Miro (London, Venice), Galeria Nara Roesler (Sao Paulo, Rio de Janeiro, New York), Galerie Templon (Paris, Brussels), Zeno X Gallery (Antwerp), and David Zwirner (New York, London, Paris, Hong Kong).

Across all sections, the 2022 edition will also see the return of many galleries after a hiatus, including Andrehn-Schiptjenko (Stockholm, Paris), Art: Concept (Paris), Campoli Presti (Paris, London), Cardi Gallery (Milan, London), Galerie Nagel Draxler (Cologne, Berlin, Munich), Fredericks & Freiser (New York), Frith Street Gallery (London), Galerie Max Hetzler (Berlin, Paris, London), Sikkema Jenkins & Co. (New York), Kerlin Gallery (Dublin), Tomio Koyama Gallery (Toyko), Mendes Wood DM (Sao Paolo, Brussels, New York), Francesca Minini (Milan), Nature Morte (New Delhi), Peres Projects (Berlin), Perrotin (Paris, New York, Tokyo, Seoul, Hong Kong, Shanghai), ShanghART Gallery (Shanghai, Beijing, Singapore), Timothy Taylor (London, New York), and WENTRUP (Berlin).

Responding to the success of the Presents section in past years, The Armory Show has expanded the section to 40 exhibitors in order to further support the next generation of gallerists-who areintegral to the continued growth and development of the art world. Exhibitors making their debut within the section are 12.26 (Dallas), Broadway (New York), Calderon (New York), Circle Art Gallery (Nairobi), Regards (Chicago), and Stanley’s (Los Angeles). Returning exhibitors include Bradley Ertaskiran (Montreal), Edel Assanti (London), Lyles & King (New York), Pequod Co. (Mexico City), Rele Gallery (Lagos, Los Angeles), The Sunday Painter (London), and previous Gramercy International Prize winners HOUSING (New York) and Kai Matsumiya (New York).

Visual Artist Biographies — The Invisible Dog Art Center

When you enter the Javits Center, you may find yourself in the Crystal Palace Galleria/River Pavilion, overlooking the Hudson River. Here you will find artist Paula Rego’s Abortion Etchings. Paula Rego (1935-2022) was a celebrated figurative artist. Her home country of Portugal had restrictive laws on abortion.

The powerful series was undertaken by the artist, who spoke openly of her own abortions, following her anger at the unnecessary suffering of people undergoing illegal procedures.

The power and pain conveyed in this group of etchings remains relevant today. Paula Rego passed away in June 2022 soon after her retrospective at Tate, London and the inclusion of a major installation as part of the 2022 Venice Biennale.

Little Island Unveils Free Monthlong Festival With Over 450 Artists

The ten works on display at The Armory 2022 are loaned with the kind permission of the artist’s family and Cristea Roberts Gallery, London, who is the worldwide representative for original prints by the artist.

Hew Locke, Souvenir 2 (Edward VII in Masonic Regalia) 2019. Courtesy Hales (Don’t miss Hew Locke’s installation on the facade of The Metropolitan Museum of Art, installed on September 16th)

We stopped by the Galerie Templon booth (image above ~ Michael Ray Charles and Kehinde Wiley, and below Robin Kid ‘The Kid’). Did you know that Galerie Templon will open its doors to a permanent gallery in New York located at 293 Tenth Avenue in Chelsea, with an inaugural solo show featuring artist Omar Ba. Opening its doors during Armory Art Week, this exhibition will remain on view in the new gallery to October 22, 2022. Follow the gallery on Instagram.

Greek Orthodox Church At World Trade Center Reopens At Last

Presented by Nara Roesler Gallery, sculpture piece, Angelo Venosa ~ on the wall, Marco A. Castillo (Wakamba 5, 2022) and Angelo Venosa (Untitled, 2022)

2022, was created with a fiberglass mannequin, Dutch wax printed cotton textile, metal, hand painted globe, steel baseplate, rush, plastic, wood, latex, resin, and acrylic paint. She stands 70 1/8 x 30 7/8 x 44 7/8 inches.

The Armory Show, 2022. A close-up of Yinka Shonibare, BCE ‘Food Kid (girl) II, 2022 at James Cohan Gallery in Booth #206

Lenfest Center For The Arts Concert: \\

The Solo section focuses on intimate presentations of work by a single emerging, established, or historic artist working in the 20th or 21st century.

Jared McGriff, A Plane of Reflection. Courtesy of Spinello Projects. Gallery Name: Spinello Projects. Artist: Jared McGriff. Title: A Plane of Reflection. Medium: Oil on canvas. Year: “2021”. Credit: Courtesy of Spinello Projects

Radenko Milak, Neighbours. Courtesy of Rutger Brandt Gallery. Gallery Name: Rutger Brandt Gallery. Artist: Radenko Milak. Title: Neighbours. Medium: Watercolour on paper. Year: “2022”. Credit: Rutger Brandt Gallery

Reimagining The M.f.a.

Autumn Wallace, Flood Insurance. Courtesy of Gaa Gallery. Gallery Name: Gaa Gallery. Artist: Autumn Wallace. Title: Flood Insurance. Medium: Acrylic, oil, and pastel on PVC with mixed media artist

digital art memes gifs scroller gif tumblr

Zorc7390 April 18, 2023 Comment

Believe it or not, support for GIFs at Tumblr was a happy accident! When Tumblrput together the code for handling JPEGs, support and GIFs (and PNGs) happened to also work using the same code. Perhaps even more surprising is that the tools used to handle GIFs at Tumblr hadn’t changed much from those early days.

The image above is an original from sukme that could not be posted to Tumblr last June. It also would have failed if he’d tried last Sunday. If you click-through to the original post, you will see a muddy, reduced-saturation mess. All this because our resizer couldn’t handle the original.

There is a lot of misinformation about GIF limits on Tumblr, so let me set the record straight: We don’t count colors or frames or pixels. We only count bytes and seconds. Every image that comes in is scaled to a number of smaller sizes and the smaller your image is, the fewer resizes need to happen, which means less time.

Outdoor Voices Blurs The Lines Between Working Out And Everything Else

We had two core failure modes in our prior resizer: Some images would take as much as several minutes to convert. This was not directly attributable to color, dimensions, or frame count, but a mysterious mix of all of them. Some images would balloon in size (600KB at 400x400, 27MB at 250x250).

The unpredictability of these failures made our GIF limits feel arbitrary and terrible to the end users. Some have gone so far as to threaten monkey kicks. I don’t want to get kicked by a monkey, so we started working hard late last year to fix it.

Some of you may have seenthis postwhere the performance of our current converter was compared with a new “mystery” converter. The mystery converter was roughly 1000x faster on the “slapping” GIF and happened to look great, but had quality problems on other images. Those were morefully explored inherea couple of days later.

Latest Animated Gif Gifs

To upload, not limiting the corpus only to those that succeeded. These were tested against the current converter, resizing down to the next size we produce. Each resize is given up to 20 seconds to complete in our application, but all resizes must complete in 30 seconds. All resizes must be under 1MB or we will convert the first frame to JPEG and call it a day.

2.6% of my 90K GIFs took longer than 20 seconds to resize. This is an underestimation of how many GIFs would be rejected for time because this is only one of several resizes required. A whopping 17.1% of all GIFs were over 1MB. Even if we bump up to 2MB, the rejection rate is 2.75%. The converter was making over 25% of all resizes larger than the higher-resolution originals! The total rejection rate for my sample set was 4.46% of all original GIFs uploaded.

Using gifsicle is so much faster that our CPU rejection rate drops to 0.00 on my test set. Also, just under 99% of all images were smaller when resized than they were at their original resolution. The size rejection rate was a much lower 0.59%.

Artists On Tumblr Digital Painting Gif

As compelling as the performance of gifsicle is, the quality problems are too much to ignore. We played around with the code a bit, but eventually we just got in touch with the author, Dr. Eddie Kohler. The specifics are in this post, but the short version is that Eddie was able to improve quality by adding some more advanced resampling methods as well as palette expansion for small-palette images. This increased our size rejection rate to 0.68% while still keeping us well under our CPU budget.

Image processing is all about choices. How do you resample? Do you sharpen? Where in the workflow is gamma correction applied, if at all? The list goes on and on.

As you can imagine from the performance differences, our previous converter and gifsicle take very different approaches to GIF resizing. The output images look different. Sometimes it is slight, sometimes it is significant, but there is no way we could put out a converter that messes up your images, even if it messes them up quickly.

Best Practices For Including Animated Gifs In Emails

We set up a qualitative study. The goal was simply to prove that we weren’t doing worse than our old converter, not necessarily that we were doing better.This study was opened up to all Tumblr employees, as well as some “randomly selected” outsiders (my friends and family).Participants were presented with one of two questions:

2.) Given an original and 2 resizes (randomly choses which was left and which was right, sometimes they were identical), choose the better image or say there is no difference.

The results were everything I could have hoped for. The “acceptable” test showed that users found gifsicle better at producing acceptable results (87% vs. 84%), but not by a statistically relevant amount (p=0.086) and that gifsicle produced fewer broken GIFs (0.71% vs. 1.38%), but again not enough to say it is definitively better (p=0.106). The “better” test found users preferring gifsicle 37% of the time, the prior converter only 16% of the time, but users also preferred one identical image over the other 27% of the time. Again, it is hard to say that gifsicle is better, but it is clear that it is no worse.

New Trending Gif Tagged Art Artists On Tumblr…

The development and testing described above took from late October until the beginning of March. Packaging, deployment, and integration took only a couple of weeks!

We aren’t done. There is work underway exploring how we handle JPEGs and PNGs. There are a slew of features that we can go after. This was a big step, a necessary step, but not the end for sure.

This project couldn’t have happened without the excellent work of Eddie Kohler in creating, maintaining, and enhancing gifsicle. Tumblr’s Site Reliability group packaged and helped deploy gifsicle onto hundreds and hundreds of machines in our datacenter. Tumblr’s Security Team vetted the code, both by inspection and by attacking it to make sure we stay safe. This was all for the awesome Tumblr creators, but I have to mention qilme/sukme (same dude, two blogs), reallivingartist, and especially gnumblr for their help in understanding and ultimately attacking this monstrous problem.Motion Art Journal I am an art geek fascinated by short motion work, also know as animated gifs. I think that this is a new art form and in this blog I explore why I think that, discuss the best gif artists today and dive into the past for reference points.

Lady With Twinkling Stars Background Gif

I have not abandoned this blog but I am now focusing my efforts writing about Motion Art in the new publication about NFTs art called UNDRGRND.

I had planned to repost my articles here but I have not found time to do that work and so instead will post links to what I have written so far.

I am being paid a small amount so you can surely understand how I could prioritize that for now at least. UNDRGRND is a very good publication and you can learn about interesting NFT artists and trends if you follow it as well as read my pieces when they first come out. I do appreciate the support I have received for my writing of this blog in Tumblr over the years and will keep it alive, at least for reposting articles I write in UNDRGRND. Who knows what the future may bring.

Gone With The Wind

I have been wanting to write about Molly Fairhurst for a long time. Molly Fairhurst is an established illustrator and animator based in Bristol UK. Her work does not *quite* fit the category of short form motion I typically write about but for this latest piece I decided to throw caution to the wind. It is just 30 seconds and is shows Nov 6 at the Out the Window exhibition in Bristol UK.

I love her work because of how simple and yet how perfectly calculated it is. All of her drawings are made by hand and they always looks adorable and clever and a bit messy but every single line and blot and color is carefully considered. She is extremely judicious about the use of color. Every seeming mistake is in there because she realizes it adds to the overall feel. Because of this every single thing she does feels like Molly Fairhurst. This is what an artist looks like.

In that past year I have noticed her doing more and more animation and her approach to it is exactly the same. Every bit of animation, seemingly simplistic, is carefully considered - there is not a wasted frame. The movement all works perfectly with her style of drawing. Everything is always moving, pulsing, in a gentle way. It feels alive. The work is perfectly timed. No extras, no obvious looping to extend things. As I said before, despite her seemingly casual handmade style she is an great editor of her own work.

Tumblr Addict Tumblr Scroll Gif

I admire how she has made the animation of her illustrations an extension of her style. She doesn’t just move her drawings around as some illustrators trying to get into animation do. They are fully part of her art.

Her little animation of last

digital art zürich festival 2020 live feed online

Zorc7390 April 18, 2023 Comment

Its aim is to invite the world s most outstanding digital artists and thus the avant garde of the new culture at many locations in downtown zurich da z presents 10 days of exhibitions installations virtual experiences screenings performances concerts talks and more

Da z is an initiative of the digital arts and sciences switzerland association da s the programme overview the da z exhibitions and events take place in well known art institutions such as the museum für gestaltung the walcheturm or musikclub moods but also in more unconventional venues such as labor5 löwenbräu silo or the wasserkirche

The art festival digital art zurich da z will take place in fall at various locations in zurich over a period of five days well known institutions such as the museum für gestaltung or the music club moods as well as more unconventional venues will become stages for digital art in all its variations

Canceled Events Due To The Coronavirus: A Complete List

Da z digital art zurich festival 636 likes 20 10 30 10 22 the largest festival for digital culture in switzerland da z digital art zurich festival 636 likes 20 10 30 10 22 the largest festival for digital culture in switzerland da z digital art zurich festival

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The mexican artist esstro9 e9 has created a wonderful clip for the da z festival 2020 esstro9 e9 will show a great new work in a 360 projection at da da z digital art zurich festival on vimeo

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The small museum of digital art in zurich explores through the beauty of code the connections between algorithms data and society address museum of digital art pfingstweid st 101 zurich 8005 switzerland zurich muda co tram stop toni areal no car parking available museum is barrier free and fully accessible to wheelchair users

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The digital art festival zurich represents around 80 national and international digital artists with screenings installations interventions performances concerts and conversations

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Digital art zürich da z is at the cutting edge of contemporary digital creation observing the impact of new technologies on our daily lives it is in this high added value environment that the giff will present the swiss premiere of posthuman wombs by anna fries and malu peeters 2021 an interactive installation combining vr and surround sound

In spring 2020 an ambitious international festival for digital art will be held in zurich for the first time da z digital art zurich da z is dedicated exclusively to digital and crypto forms

Da z is an ambitious international festival for digital art and new media in it s video section it shows experimental forms of video video installations video performances mapping and vjing like the entire festival the video section promotes critical examination of digitalization and digital media awards prizes da z talent awards

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From october 27 to 31 2021 the digital arts festival da z will take place in zurich da z is an international festival dedicated to current and socially relevant contributions of digital culture da z formats are exhibitions installations interventions performances video screenings concerts and talks at various locations in downtown zurich

The big festival of digital culture für die diesjährige ausgabe versammelt da z rund 80 etablierte sowie aufstrebende nationale und internationale digitalkünstler innen und künstlergruppen auf dem programm stehen viele spannende veranstaltungen ausstellungen interaktive installationen virtual reality gaming erlebnisse screenings live

Since 1995 it offers a series of experiences focused on image sound and new forms of narration which include screenings interactive installations xr works conferences and live performances da z digital art zurich is a festival dedicated exclusively to current and socially relevant contributions of the digital art avant garde it takes

Inspiring Examples Of Data Driven Art

Daz digital art festival zurich auch in diesem jahr glänzt das grösste festival für digitale kultur der schweiz mit einem vielfältigen programm an verschiedenen orten im zentrum von zürich 27 31 oktober 2021 während 5 tagen werden rund 80 nationale und internationale künstlerinnen künstler und künstlergruppen ausstellen und

This festival has been celebrated in zurich since 2005 and it still upholds the tradition of art and glamor zurich film festival address bederstrasse 51 ch 8002 zürich website zurich film festival takes place september to october 8 jazznojazz editor s note photo taken from the establishment s official social account

software to use for digital art prints

Zorc7390 April 18, 2023 Comment

This article was co-authored by Staff. Our trained team of editors and researchers validate articles for accuracy and comprehensiveness. 's Content Management Team carefully monitors the work from our editorial staff to ensure that each article is backed by trusted research and meets our high quality standards.

If you’re a digital artist, you can’t display or sell your work without printing it out. Ensuring that your work looks professional when you print it out is important for your reputation as an artist. First, prepare your art for printing. You should adjust the resolution, sharpness, and contrast of the image to make it as professional-looking as possible. The right materials will help your artwork look professional, too. Pigment-based inks and good quality paper used in a professional printer will give your digital art a professional look.

A New Program For Art Historians In The Digital Age

You can print your beautiful digital art right at home if you want to display or sell it. It’s important to export your art in the highest quality to make sure you don’t lose any detail. Export it as a JPEG or TIF file in the highest resolution you can. If you’re printing it bigger than 13 by 19 inches, increase the DPI to 300. Increasing the resolution can change the color profiles, so make sure the color is right and adjust it before you print it if you need to. Alternatively, use a professional plugin to change the size for you. It’s best to use a printer that takes pigment-based ink for the highest quality prints. You should also use acid-free paper that’s at least 20 pounds so it looks professional. For more tips, including how to print your art to display in a gallery, read on!We researched and compared more than twenty digital art software and compiled a list of the 11 best. Hopefully, this list will help you decide which digital art software is the best for you.

Procreate is an incredible digital illustration and painting app packed with features to help you create your masterpiece. Not only is it popular with professional illustrators, but it’s also great for beginners who want to explore the world of digital art.

It offers an intuitive user interface that allows users to easily create digital illustrations, sketches, and art pieces. The app also provides multiple layers, custom brushes, and advanced masking tools to make it easier for users to refine their work.

Best Digital Art Software In 2023 (quickly Reviewed)

Additionally, the integrated color wheel in Procreate makes it easy for beginners to experiment with color palettes. The app allows digital artists to manipulate layers and blend colors to create realistic digital art and illustrations.

The most recent update, Procreate 5.3, is optimized for Apple’s M2 chip, providing faster response times and smoother performance. The new 3D Painting feature further enhances this process by enabling you to create realistic three-dimensional art with ease directly from within the app.

All these features combined make Procreate an excellent choice for digital illustrators and artists who need powerful yet easy-to-use tools for creating stunning works of art.

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The only drawback of this software is that it is only available on iPad and iOS devices. Therefore, if you don’t have access to either platform, you won’t be able to use Procreate.

One of its most impressive features is the ability to layer multiple pieces of artwork, allowing for more intricate designs and seamless edits. Its brush and pencil tools allow users to create realistic effects in their illustrations, from watercolor-style paintings to cartoon-style lines.

The “Object Selection” tool makes it easy to select specific areas of a design, which can be used for making minor changes or creating composite images. It also allows for precise masking and selection to apply color or effects changes only to certain parts of an image.

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Adobe Photoshop also has several useful photo-editing tools that make editing pictures easier. With tools like the Eraser, Blur, and Smudge tools, users can easily produce creative effects on their photos while still preserving their original character.

The latest version, Adobe Photoshop 2023 (or Version 24), released in October 2022, also integrates with Adobe Express and features one-click delete and fill as a new way to remove objects from scenes.

It also contains several new features in beta, such as Live Gaussian Blur, Live Gradients, Neural Filters for photo restoration, and Share For Review – another collaboration feature.

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However, using all of the features available in Adobe Photoshop requires a subscription fee, which beginners may find expensive. Therefore, unless you’re willing to pay for it, Adobe Photoshop might not be the right choice for digital illustrators and artists on a budget.

Also, the interface can be quite intimidating for beginners. Therefore, starting with a simpler digital art app is best before investing in Adobe Photoshop.

One of the main benefits of using Clip Studio Paint is its wide range of brush options. Users can select from a pre-made brushes library or create custom ones.

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The software also includes layers and blending modes that allow for more complex layering of colors and textures. In addition, artists can use tools such as stamping, erasing, and gradients to achieve even more creative results.

In addition, several effects are available, such as gradients, blurring, shadows, and highlights, allowing artists to add subtle details or completely transform their artwork.

The prices of these digital art software programs may be a factor to consider. Clip Studio Paint Pro & EX are more expensive than similar digital art apps on the market.

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Corel Painter is designed to emphasize realism in painting and drawing. It attempts to capture the natural look and feel of traditional media such as oil paints, watercolors, pastels, charcoals, and markers.

It offers several brushes, pencils, and painting tools that can be used to create a variety of effects. The user interface is also intuitive and easy to use, making it suitable for both beginners and experienced creatives.

One of the most important features of Corel Painter is its brush library. This feature allows users to choose from hundreds of different brush types, allowing them to create unique textures and effects on their artwork.

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The Layers tool in Corel Painter makes adding multiple elements to a piece of art easy. Users can easily adjust individual layers using opacity settings or blend modes, allowing them to build up complex illustrations easily.

However, one drawback of Corel Painter is that it does not offer any mobile or tablet apps at this time. Also, some users have reported performance issues on computers with lower hardware specifications including low RAM.

Krita is a free open-source digital painting and illustration software suitable for professionals and amateurs. The interface is highly intuitive, allowing you to access all the tools you need easily.

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It also has a variety of painting brushes, each with different textures and effects, such as watercolors and inking brushes. Also, special blending options help make your work more realistic.

Furthermore, Krita has layer management similar to Photoshop, which enables you to customize the content of each layer through masks or filters.

Additionally, Krita provides several helpful tutorials and guides. These guides can help keep you on track if you are ever confused about what a specific icon means or how something works within the program.

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However, one downside of using Krita is its lack of versatility compared to other digital art programs. Some features may seem unintuitive or hard to use, making it difficult for beginners to get comfortable with the program.

It features more than 170 brush presets that can be customized to give your artwork a unique touch. The latest edition offers useful upgrades like natural RYB color mixing, stabilization and texture features, layer groups, color management, and more.

One of the great things about Rebelle is its realism. It does a great job of mimicking the way paint behaves in real life without sacrificing too much quality or speed. You get smooth brush strokes with thick impasto effects that look almost indistinguishable from traditional paintings.

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On the downside, Rebelle isn’t as feature-rich as other programs. The standard edition comes with limited options, so if you require extended functionality, it could be worth upgrading to one of their paid versions.

One of the main advantages of Adobe Illustrator is its scalability. This makes Adobe Illustrator ideal for creating logos, icons, and text effects since they will look equally good at any size.

Adobe Illustrator offers everything an artist needs – basic shapes and figures and more advanced options such as brushes, gradients effect, and transformation tools. The program also includes a wide selection of textures that can be used to create interesting designs and effects.

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Despite its many advantages, there are some drawbacks associated with Adobe Illustrator. The main drawback of Adobe Illustrator is its steep learning curve. Also, while it is great for vector graphics creation, it has limited support for raster files.

Inkscape is a powerful vector graphics editor

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Zorc7390 April 18, 2023 Comment

One frigid evening this January, I dropped by the Outsider Art Fair in New York, a stripped-down event in its pandemic iteration, scattered across a few small galleries in the Bowery. At the Andrew Edlin Gallery, I was transfixed by some tiny talismanic drawings by Melvin ‘Milky’ Way, an artist with schizophrenia from South Carolina. Put together with Scotch tape, scraps of paper, marker and ballpoint pen, Way’s recursive considerations addressed a single theme: the precise structural formulae for the mysteries and marvels of human existence, from ‘sweet red cherry juice’ to ‘happiness’. ‘They’re all highly secret, not to be shared, ’ explained a masked gallery assistant, adding that these small cards travelled in Way’s coat pocket as ‘weapons of protection’ through his years in New York’s homeless shelters and psychiatric facilities.

Clustered together on the wall, the densely patterned fragments recalled a museum display whose seals and tablets bore messages in a lost language from another time. Some contained a single pattern, such as purple whorls resembling a stained-glass window belonging to an occult temple. Some had insistent neologistic messages flashing alongside the chemical formula: ‘Compel, expulsate, perpetrate’ said one. Previous attempts to press Way on the meaning behind his work, including by the art critic Edward M Gómez, have resulted in disquisitions on the virtues of time travel, Way’s invention of cocaine, his purchase of Alaska, and the time he turned 16 – at the age of 60. Yet the unknowability of this art is part of its appeal. ‘Since [the artists] can’t explain their work, we’re left to discover it on our own, ’ Edlin, the gallery owner, told me. ‘Their minds are impenetrable and, once you accept that, it’s liberating to just think of what the art means to you.’

Every year, I seek out ‘impenetrable’ art at the Outsider Art Fair, the American Folk Art Museum in New York, and elsewhere. By now, I know what I’m drawn to: art that iteratively sketches out a personal obsession. It’s often heavily symbolic; swimming with a profusion of barely decipherable words, lists and astrological charts, or with hypnotic patterns of repeating concentric lines. In art made by erstwhile residents of psychiatric hospitals, sometimes the leitmotif is a home whose soaring windows and flowering plants speak of inexpressible yearning; sometimes, the drawings conjure a private hauntology, populated with beaked tormentors or looming, blackened wraiths with large, childlike eyes.

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It’s not a straightforward, entirely kosher feeling to peer so closely at images that stream straight out of the cauldron of a lifetime of human pain, loneliness and ostracisation. Some of the artists are non-verbal, and their art is the closest form of locution they undertake in their entire life. Many have spent years sequestered in mental health units, or they’ve endured chronic bouts of sickness and indigence before their work posthumously changed hands for hundreds of thousands of dollars. Looking at this art head-on feels like glimpsing an optical illusion, or experiencing a psychic bait-and-switch. You can get lost in the immediate and surprising visceral pleasures of drawings compactly festooned with mysterious symbols and cursive text; in fantastical worlds rendered in coloured pencil; or the touchingly misshapen animals set in landscapes that are ever so slightly askew. Reading the biography of the artist can then plunge you into an abyss, or leave you both moved and discomfited, unsure how to feel about what you saw. Often, there’s a faintly queasy undertow of

The art they made was regarded as a translation of the illness in tangible form, and scrutinised by psychiatrists for tell-tale psychopathological signs

Part-memoir, part-prayer, part-wish-fulfilment, part-tally of wordless anguish, this is art that evokes worlds unmoored from art-historical reference. Instead, it’s crowded with private fantasies, nightmares and sedulously embroidered or sequinned pop-cultural references. As Tom di Maria, the director of the Creative Growth Art Center in California, once told me: ‘These artists delight in ornamentation. They create a world of art so real they expect to live in it.’ And, as the first critic of psychiatric art, Marcel Réja, said more than 100 years earlier: these drawings represent ideographic writing; ‘a more concrete means of expressing [someone’s] thought, more alive than would be possible with the written word’. But such art is not readily comprehensible. Much as it’s crammed with meaning, it actively – innately – resists interpretation. This uneasy paradox lies at the heart of the appeal of psychiatric art.

Decolonizing Art History

The fascination with psychiatric art dates back to the late-19th century. As what were then called ‘lunatic asylums’ in England and Western Europe swelled in occupancy, a few gradually initiated collections of the spontaneous artwork – embroidery, sculpture, painting – created there. At the time, mental illness was considered an incurable brain disease, and asylums were custodial rather than therapeutic spaces: the patients were encouraged in their creative pursuits to stave off tedium. If not overlooked, the art they made was regarded as a translation of the illness in tangible form, and scrutinised by psychiatrists for tell-tale psychopathological signs.

The Swiss psychiatrist Eugen Bleuler’s formulation of schizophrenia in 1911 – as ‘a splitting of the psychic functions’, resulting in ‘associations which normal individuals will regard as incorrect, bizarre, and utterly unpredictable’, and caused by psychological processes rather than brain disease – cast the artistic output of asylum residents in new light. From a nosological aid, their work could be seen as providing glimpses of a ‘primordial’ source of the artistic impulse. This perspective was partly inspired by the book

, or ‘Genius and Insanity’, (1864) by the Italian criminologist Cesare Lombroso. Lombroso believed that, in evolutionary terms, genius was a propitious type of madness, and that madness itself (also criminality) was a return to an earlier stage of evolution, via a process of ‘degeneration’. Lombroso scoured ‘typical’ artworks made by asylum patients for tell-tale marks of ‘atavism’ or ‘absurdity’. By linking genius and madness, he left an ominous legacy: if artistic geniuses could be discovered among the mentally ill, it followed that works of genius might in turn be marred by signs of ‘degeneracy’.

Superscript: Arts Journalism And Criticism In A Digital Age

Over time, every asylum generated its own captive celebrity. From the psychiatric hospitals Bethlem in London and Broadmoor in Berkshire came Richard Dadd (a ‘criminal lunatic’ who was confined after committing patricide) whose intricate watercolour tapestries were filled with gnomes and fairies. The English artist Louis Wain, who was hospitalised with schizophrenia and paranoid delusions, enchanted London’s public with his stylised paintings of cats, while in Bern, Adolf Wölfli, a convicted paedophile who suffered from severe psychosis, used colour pencils and newsprint to create vast hallucinatory tapestries, swarming with mystic forms and repeating faces and patterns, around which unfurled musical notations to singular tunes that the artist would play on a paper trumpet.

Most of these artists were ‘discovered’ and championed by their resident psychiatrists. Wölfli’s psychiatrist, Walter Morgenthaler, produced the first monograph in the psychiatric art genre,

Réja was a poet, writer, theatre and dance critic who frequented Parisian Symbolist circles. He was also a doctor at the Villejuif Asylum – the first institution in Europe to collect its residents’ artwork, which it displayed at its ‘Musée de la Folie’, alongside prehistoric objects found on the hospital grounds. In

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, or ‘The Art of the Insane’, (1907), Réja presented patients’ artwork alongside examples of other art that was thought to emerge from close to the ‘source’ of the artistic impulse: art produced by children, prisoners, spiritualist mediums and ‘primitive’ sculptors from Africa and Oceania. For Réja, his patients’ art constituted a kind of ‘ideographic writing’ that was ‘more or less embryonic’. It disregarded academic tropes or pecuniary concerns. With its curious hierographic symbols and repeating geometric forms, he thought it harked back to more ‘primordial’ forms of creation, like the mysterious maps, animals and symbols that ancient people scratched into stone 35, 000 years ago. Réja wrote of a ‘terrible intensity’ arising from the artists’ urgent need to convey their catastrophically changed reality, one capable of ‘drawing forth tormented sobbing and unexpected flashes of lightning’.

(1922). A psychiatrist at the Heidelberg Psychiatric Hospital, Prinzhorn expanded its existing collection to 6, 000 paintings, drawings, manuscripts, collages and sculptures, seeing them as ‘not merely copies or memories of better days, but rather an expression of [the patients’] own experience of illness’. Prinzhorn possessed a deep artistic sensibility – having studied philosophy, art history and music – and the psychiatric art he curated formed part of his romantic self-mythology as a ‘man of the spirit and a nomadic outsider’. As Bettina Brand-Claussen, assistant curator of the Prinzhorn Collection in Heidelberg, noted in

(1996): ‘He travelled around with a portfolio of art by mental [health] patients, and both he and it left a profound impression everywhere he went.’

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Prinzhorn’s book highlighted the repeating ‘tendencies’ and ‘configurative process’ characterising his patients’ art; the complex symbolism they developed; and their compulsive need to fill whole sheets with scribbles ‘to the very edge as if a horror vacui gave the drawer no rest until every space was covered’. He introduced readers to 10 ‘schizophrenic masters’, devoting equal space and sensitivity to

Most of these artists were ‘discovered’ and championed by their resident psychiatrists. Wölfli’s psychiatrist, Walter Morgenthaler, produced the first monograph in the psychiatric art genre,

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(1996): ‘He travelled around with a portfolio of art by mental [health] patients, and both he and it left a profound impression everywhere he went.’

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Zorc7390 April 18, 2023 Comment

JOIN THE NO CODE AI REVOLUTIONDiscover the power of No-code AI with Appy PieCreate powerful web and mobile applications and automate workflows easily and quickly without any coding.

Forget about the unbearably long waiting times and the unaffordable quotes you received for software project. Try Appy Pie for easy, quick, and affordable no-code solutions.

Super easy to use, our no-code platform’s drag and drop functionality lets you unify and simplify all your data into a single source. Appy Pie breaks all barriers and boundaries when it comes to no-code, offering you seamless integrations with other data sources, even applications.

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No-code with Appy Pie is different from anything else in the industry. It costs at least 1/10th of the industry standard and gets your product to the market ten times faster than the competitors.

Empower your business operations with workflow automation without getting bogged down by the complexities of coding. Appy Pie’s no-code workflow automation platform lets you create efficient integrations to build meaningful workflows.

Well-structured, easy to use, and affordable, Appy Pie’s no-code workflow automation platform lets anyone create as many integrations as they need to create a workflow unique to their business needs.

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Creating these workflows means you do not have to keep switching between multiple apps to bring uniformity to your data across platforms. Set up the right triggers for corresponding actions and create efficient systems without writing even a single line of code!

Make your business processes more efficient and eliminate any bottlenecks that could impact your customer’s overall experience. Appy Pie’s Business process automation software enables you to achieve your desired business efficiency.

Appy Pie’s business process automation suite includes Helpdesk, Live Chat, and Chatbot Builder. While the Helpdesk software helps you to manage customer requests and tickets, Live Chat allows you to provide live support to your customers. Using Chatbot Builder, you can manage all of your customer queries and improve customer satisfaction.

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Feature-rich, and easy to use, Appy Pie’s no-code business automation tools enable you to deliver superior customer results and drive business growth.

A few years ago, if you had an idea for a really good game, app, or another program, the only way to bring it to life was to either know to code (and pray you knew the right programming language) or be willing to learn on the fly. If you had money, you could hire someone to do it for you. That was pretty much it.

That’s not true anymore: now, instead of learning a whole programming language (or even several), you only need to understand how a single program works before you can work on your inspiration. While you’ll still need to be persistent and hard-working, the burden of technical knowledge has been lifted substantially.

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Anyone can use Appy Pie’s no-code technology. There is no need for formal training, education, or specific skill acquisition to use a no-code platform.

With Appy Pie, anybody can create applications, websites, chatbots, and more on any internet-connected device without having to hire a programmer or agency. No-code is the future of programming, democratizing technology so that anyone with a laptop and internet can bring their dream tech project to reality.

“You no longer need to become a programmer to build things on the internet, empowering a new wave of makers from different backgrounds and perspectives, ” said Ryan Hoover, Founder of Product Hunt.

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So, whether you are a non-tech employee, an entrepreneur, or any other kind of business user, you can easily use Appy Pie’s no-code platform to make your own pieces of software. Appy Pie’s drag-and-drop interface makes it possible for everyone to build their own applications, empowering citizen programmers and putting a check on the rise of shadow IT.

Gartner estimates by 2025, 70% of new applications created by enterprises will use no-code or low-code technologies (up from less than 25% in 2020).

However, it is not just the non-coders who can benefit from no-code technology. Here’s what Sahil Lavingia, Founder and CEO of Gumroad, tweeted about it.

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Some of our top creators are incredibly competent engineers who don’t want to deal with payments, fraud, VAT, and other burdens that come with selling stuff online.

There has been a lot of conversation around no-code, and the adoption rate is quite high. Microsoft anticipates that the 500 million apps it expects will be created over the next five years, 450 million will be designed on no-code low-code platforms.

However, just because everyone else is choosing no-code, it does not mean you should too. Let’s look at why a no-code platform like Appy Pie may be the perfect choice for you!

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Using external resources and agencies for creating enterprise-grade applications can burn a hole in your pocket. Moreover, it would be a challenging exercise, as it requires constant back-and-forth on every minute aspect, which makes it limiting and restrictive. At the same time, you would hardly ever be able to access the application’s backend.

Therefore, internal application creation is critical, but most enterprises are unable to afford it due to budget and human resource constraints. The cost of hiring skilled programmers is very high, which is where Appy Pie’s no-code platform comes into the picture. Instead of hiring a whole team of programmers, you can invest a fraction of that cost into your Appy Pie subscription. Appy Pie’s no-code software lets anyone, irrespective of their technical expertise, budget, or time constraints, build their own business applications.

With the no-code platform, users can enjoy a plethora of customization features that allow them to modify their applications based on their evolving requirements. Users can change anything they want instantly without worrying about introducing bugs or glitches while trying to improve their application and add better features through the Appy Pie platform.

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Traditional methotds requires anywhere between 4 to 12 months and involves constant deliberations and discussions with the tech department. Every new feature addition would require a cycle of discussions and meetings with programmers, slowing down the entire process. No-code low-code platforms like Appy Pie can reduce the time by 90%.

No-code can accelerate speed-to-market (RedHat, 2018); what usually takes months can be reduced to just a few minutes. Depending on the type of application you want to build, it can take anywhere from 5 to 45 minutes to build and launch a fully functional app. When you build an app faster, you also get to deploy or release it faster for your customers.

This one shouldn’t come as a surprise to you. No-code reduces the cost of ownership. All the application data is stored on a secure cloud, reducing or, in fact eliminating entirely the need to spend on servers and their maintenance. It saves a massive amount of money as you only need to spend a minuscule amount on server maintenance with your cloud-based software application, compared to what you would with traditional methods.

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Because the no-code is considerably cost-effective, it can offer you a better return on your investments. You can save up on a lot of your resources while using Appy Pie’s no-code technology, compared to what you would have spent on traditional methods.

100% of low-code enterprises have received ROI from their low-code adoption. (Appian, 2019). These ROIs are even greater when it comes to Appy PIe’s no-code technology. A better ROI also means that investing in no-code is a lower risk. In case your application fails, you are likely to have spent a lot less on your project than you would if you were to choose traditional methods.

No-code can be learned and used by anyone with limited to no technical expertise or understanding. Appy Pie’s simple drag-and-drop visual editor allows users to add features of their choice without having to write even a single line of code. The process is relatively intuitive, and the learning curve is almost flat. This is why no-code has gained such wild popularity among small businesses, solopreneurs, and startups. There is no need to acquire any special training, nor is there a need to hire a programmer or an agency to do the heavy-lifting for you. Anyone can use it to create their own pieces of software.

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By 2024, 80% of technology products and services will be built by those who are not technology professionals (Gartner, 2021). If we have learned anything from the past, it is that technology is moving towards convenience, and no-code platforms give you just that! The global no-code low-code platform market is forecast to amount to $65 billion U.S. dollars by 2027.

No-code is here to stay, and if you start using a no-code platform today, you will definitely have found a way to stay ahead of the curve. No-code is the future of applications, and it is only going to evolve more in tune with the changing demands of the market.

Gartner predicts that half of all new no-code low-code clients will come from business buyers outside the IT organization by year-end 2025.

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It doesn’t get easier than this. Appy Pie’s drag-and-drop interface allows anyone to pick and choose the exact feature blocks they want in their software. Whether you are building an app for a salon, a website for a restaurant, or an eCommerce chatbot, you only need to

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